前篇：平卧的女人 | Part Ⅰ: Casida de la Mujer Tendida
>Photos
前篇借用洛尔迦的诗《平卧的女人》作为引导：这首诗聚焦于身体（物质，存在），讨论了“生”和“死”两个状态，并隐晦地提到了其中的转换过程。我试图让“塑料人”在镜头里看起来像是活的生物，同时保留其无机物的质感，在“以假乱真”的努力中诚实呈现“假”的部分。在镜头里，有生命的人类和无生命的塑料人是平等的。在接近梦境的视觉效果里，塑料人作为主体的活动看起来不再突兀。同时，“死”的概念常与睡眠有关，“死后世界”常和梦境相联。
Using Federico García Lorca’s poem Casida de la Mujer Tendida as a guidance, this work focuses on the body, discusses the states of “life” and “death”, and makes veiled reference to the process of transition between them. I tried to make the “plastic man” look like a living creature, while preserving their inorganic texture. In front of the camera, the living human and the inanimate substance are equal. By creating a dreamy atmosphere, the activities of the mannequin do not seem so absurd. Meanwhile, the concept of “death” is often associated with sleep, and the “afterlife” is often associated with dreams.